SIFF 2020 I really miss Egypt, ever since the day I left. It’s always complex when a blonde is trapped in old days romance and the mystery of exoticism. She’s always out of the scene, like wearing a big coat in hot weather. Here’s the place to come back. 筆記:Freud, The grateful dead, Winter palace hotel, Revolution, bones and potteries.
Never really noticed this. But the parallel montage in this film is no longer about "several characters traversing space to converge." Now, it's traversing time. It's a shame that the director didn't pursue the image of fire and of spiral further in the film.